Image of a scale model of the John F. Kennedy Memorial in Dallas, Texas

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Image of a scale model of the John F. Kennedy Memorial in Dallas, Texas

Original 35mm color image on Kodak Ektachrome Transparency slide taken by amateur photographer George Reid. Image shows a scale model of the John F. Kennedy Memorial in downtown Dallas, Texas from Junio 1969. The memorial was designed by architect Phillip Johnson and opened in 1970.

Detalles del objeto
Título del objeto:

Image of a scale model of the John F. Kennedy Memorial in Dallas, Texas

Date:

Junio de 1969

Medio:

Película

Dimensiones:

5,1 x 5,1 cm (2 x 2 pulg.)

Línea de crédito:

Colección George Reid/Museo de la Sexta Planta en Dealey Plaza

Número de objeto:

1996.014.0067

Nota curatorial:

George Reid was a longtime John F. Kennedy supporter who campaigned for him in Texas. He also filmed home-movie footage of President Kennedy at Love Field in Dallas, and in Dealey Plaza on several occasions in the 1960s. - Stephanie Allen-Givens, Collections and Exhibits Manager

Renowned American architect Philip Johnson's design is a cenotaph, or "open tomb," that symbolizes the freedom of John F. Kennedy's spirit. The memorial, a square, roofless room, 30 feet high and 50 by 50 feet wide, sits in the middle of the block with narrow openings facing north and south.Eight columns extend to the ground, acting as legs that seem to hold up the monument. Each column ends in a light fixture. At night, the lights create the illusion that the light itself supports the structure. These vertical elements, rigorously separated from each other and individually poured, seem held together by an unseen, invisible force. The architect once called it a "magnetic force" and suggested a connection to the charisma of the living John F. Kennedy.Visitors enter the room to face a low-hewn granite square in which the name "John F. Kennedy" is carved. The letters are painted gold to capture the light from the white floating column walls and the pale concrete floor. These words are the only written message in the empty room, as the space was intended for reflection and remembrance. - Stephen Fagin, Curator

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Image of a scale model of the John F. Kennedy Memorial in Dallas, Texas

Original 35mm color image on Kodak Ektachrome Transparency slide taken by amateur photographer George Reid. Image shows a scale model of the John F. Kennedy Memorial in downtown Dallas, Texas from Junio 1969. The memorial was designed by architect Phillip Johnson and opened in 1970.

Detalles del objeto
Título del objeto:

Image of a scale model of the John F. Kennedy Memorial in Dallas, Texas

Date:

Junio de 1969

Condiciones:

Memoriales

Monumento a John F. Kennedy

Fotografías

Reid, George

Dallas

Medio:

Película

Dimensiones:

5,1 x 5,1 cm (2 x 2 pulg.)

Línea de crédito:

Colección George Reid/Museo de la Sexta Planta en Dealey Plaza

Número de objeto:

1996.014.0067

Nota curatorial:

George Reid was a longtime John F. Kennedy supporter who campaigned for him in Texas. He also filmed home-movie footage of President Kennedy at Love Field in Dallas, and in Dealey Plaza on several occasions in the 1960s. - Stephanie Allen-Givens, Collections and Exhibits Manager

Renowned American architect Philip Johnson's design is a cenotaph, or "open tomb," that symbolizes the freedom of John F. Kennedy's spirit. The memorial, a square, roofless room, 30 feet high and 50 by 50 feet wide, sits in the middle of the block with narrow openings facing north and south.Eight columns extend to the ground, acting as legs that seem to hold up the monument. Each column ends in a light fixture. At night, the lights create the illusion that the light itself supports the structure. These vertical elements, rigorously separated from each other and individually poured, seem held together by an unseen, invisible force. The architect once called it a "magnetic force" and suggested a connection to the charisma of the living John F. Kennedy.Visitors enter the room to face a low-hewn granite square in which the name "John F. Kennedy" is carved. The letters are painted gold to capture the light from the white floating column walls and the pale concrete floor. These words are the only written message in the empty room, as the space was intended for reflection and remembrance. - Stephen Fagin, Curator